Of all the things I thought might cause havoc on my way to Kerala, the one I really hadn’t considered was fog. The weather reports for Heathrow were clear. The threats of snow had remained largly in the North. I was on a plane and heading for Cochin…until fog brought the carefully scheduled Christmas plans of several hundred people crashing down into one spot: the transfer desk in Abu Dhabi airport. For the next three hours I queued and finally achieved two things: I found one of the other two people who were travelling to Cochin to join my holiday group and I got a flight out of Abu Dhabi 14 hours later, with a hotel room thrown in for good measure.
What to do then when your body clock is screaming stay awake and you’ve got several hours to kill? When The Louvre has just jointly opened a multi-million pound gallery on its own island, the answer was a no -brainer.
Opening in November 2017, the Louvre Abu Dhabi is the first in a proposed group of internationally linked, cultural spaces on Saadiyat Island (the island of happiness). Designed by Jean Nouvel, the building is a collection of spaces interlinked under a dome of layered latticework, reflecting the traditional use of palm leaves for roofing. Light filters through this intricate structure and dapples the internal courtyards, creating a harmonious mix of light and shade. Unlike many of the other buildings in Abu Dhabi, the building sits low down on the island, close to the water’s edge; its full beauty is slowly revealed through a screened walkway. We were so entranced by the exterior that it did take us some time to finally make our way inside to view the collection!
And what an amazing collection it is. Spanning every medium, pieces are carefully curated to tell the universal stories of humanity. Linked by brass inlays that guide the vistor from space to space, glass cases present artefacts with a simplicity that is mesmerising. Play, work, food, family, love, war, art: all the great themes are explored and presented as shared experiences across times and spaces. Many works have been loaned but the museum has a very healthy aquisitions budget too, leading to a growing permanent collection. A surprisingly comprehensive collection of 20th Century and current artists was also a treat, with several much loved impressionist works on loan from the Musee D’Orsay. The galleries lead finally out into the covered courtyard where sculptures create focal points under the shady dome.
Getting stuck in Abu Dhabi was a pain, but without it I doubt I would ever have been able to visit this delightful, cultural oasis. Although we arrived a full 24 hours late for our Keralan adventure, the holiday had already started.
©Chez l’abeille 2018